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Theodore Robinson La debacle oil painting


La debacle
Painting ID::  54486
Theodore Robinson
La debacle
mk235 1892 Oil on canvas 45.8x55.9cm

   
   
     

Theodore Robinson The Wedding March oil painting


The Wedding March
Painting ID::  54487
Theodore Robinson
The Wedding March
mk235 1892 Oil on canvas 56.7x67.3cm

   
   
     

Theodore Robinson La Vachere oil painting


La Vachere
Painting ID::  60580
Theodore Robinson
La Vachere
La Vach??re (ca. 1888) Smithsonian American Art Museum

   
   
     

Theodore Robinson La Debacle oil painting


La Debacle
Painting ID::  60581
Theodore Robinson
La Debacle
La D??bâcle, 1892, collection: Scripps College, Claremont, California

   
   
     

Theodore Robinson Theodore Robinson, Low Tide Riverside Yacht Club oil painting


Theodore Robinson, Low Tide Riverside Yacht Club
Painting ID::  60582
Theodore Robinson
Theodore Robinson, Low Tide Riverside Yacht Club
Theodore Robinson, Low Tide Riverside Yacht Club, (1894), Collection of Margaret and Raymond Horowitz

   
   
     

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     Theodore Robinson
     1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.

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